![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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After the tubes are tacked in place, Kelm brings this part of the page structure through the next several operations. The paper is placed on another jig. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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A wire is inserted through the tubes. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Daniel wraps the paper around the tubes and uses a tacking iron to adhere the layers. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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A case making folder is used to carefully fit the paper to the contour of the tubing. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Kelm sometimes constructs his own machines that will speed up production. In the background you can see his custom-built dry mount press. Also note how he has set up his work space to promote an easy and orderly flow of the work. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The dry mount press is just the right size for the operation, and the foot pedal operation of it leaves Daniel’s hands free to position the work easily and efficiently. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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A chisel is used to notch out the paper between the tubes in order to make space for the metal hinges. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
|
21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
|
![]() SAMI KEATS
|
21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Text design by Michael Russem, Kat Ran Press. Letterpress printing by Art Larson, Horton Tank Graphics. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, Greta Sibley, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Use the button at the top left to view the fifth image set. |
one cottage street #5 • easthampton, ma, u.s.a. • 01027 |
book galleries
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daniel.kelm@mac.com |