![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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…and now for the front covers. Leah goes through a similar process of assembling the pieces and tacking them in place. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The front cover label is also letterpress printed. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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After pieces have been tacked together, they are run through the dry mount press (which bonds all the layers completely). |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Silicon release paper is used as a protective carrier when something is run through the dry mount press. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Leah adds metal, the final layer, to the front cover, again using two set ups on her workbench and multiple weighted tacking irons. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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![]() SAMI KEATS
|
21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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After the metal is tacked onto the cover, the whole cover is run through the dry mount press again. Use the button at the top left to view the tenth image set. |
one cottage street #5 • easthampton, ma, u.s.a. • 01027 |
book galleries
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daniel.kelm@mac.com |