![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Here are the instructions for putting the binding together: To hinge the book together, place the neatly stacked covers and pages in proper order on a table, with the spine overhanging the edge. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Place a hinging wire into the first tube on the bottom panel (back cover). |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Advance the wire until you see its end reach the midpoint of the first hinging station. Remember that it is very important to keep the wire parallel to the hinging edge. Pulling it to the side may damage the end tube. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Place a spacer over the end of the wire. Here I am using a surgical forceps to hold the spacer, but I would recommend that you use a cosmetic tweezers. The flat end of those tweezers fits the spacer better. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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After the spacer has been slipped on, hold a hinge in alignment with the wire. Then advance the wire through the hinge. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Advance the wire progressively through each of the hinging stations, adding a spacer and hinge at each station. |
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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To properly center the wire it must be pushed past the end of the tubing using the spacing end of the hinging tool. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The spacing is correct when the tool cannot advance farther. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The second panel is begun the same as the first — the wire is inserted and advanced to the midpoint of the hinging station. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Slide a new hinge onto the wire. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The hinge that had been hanging from the previous panel is pushed upright to align with the advancing wire. A new hinge is added in the same fashion at each of the hinging stations. Position the wire using the spacing end of the hinging tool as in step 7. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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When beginning to hinge any panel, if the hinge on the previous panel is to the right in the hinging station the wire must go through it first before adding a new hinge. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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To incorporate the hinge, push it upright and align it to the wire while the wire advances just enough to hold the hinge in place. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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A new hinge can now be put into position and the wire advanced through it. All of the new hinges will be added in this same way. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The addition of the wire to the top panel (front cover) will incorporate both a hinge and a spacer at each hinging station. Here you see that the wire will first capture the hinge from the previous panel. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Push the hinge upright and align it with the wire. Advance the wire just enough to hold the hinge in place. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The spacer shown here is being held by a surgical forceps. As before, I would recommend that you use a cosmetic tweezers with a flat end. All of the hinging stations are treated in this same way. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
hide
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As is the case with each of the panels, the wire will be spaced within the length of the hinging edge by using the spacing end of the hinging tool. |
![]() SAMI KEATS
|
21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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When the tool has advanced as far as it can, the hinging wire is evenly spaced. Use the button at the top left to view the eleventh image set. |
one cottage street #5 • easthampton, ma, u.s.a. • 01027 |
book galleries
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daniel.kelm@mac.com |