![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Here are the instructions for taking the binding apart: Place the book to be taken apart flat on a table, overhanging the edge. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Insert the removal end of the hinging tool into the first tube of the top panel (front cover), while holding something under the hinging station to catch the spacer when it falls free. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Push the tool in until it stops. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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When the tool is withdrawn the spacer will fall free. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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On the left side of the book you will see the wire protruding. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Grasp the wire and pull it out slowly. Stop when the end of the wire inside the tubing is nearing the next hinging station. It is very important to keep the wire parallel to the hinging tubes. Pulling it to the side may damage the end tube. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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As the end of the wire passes each hinging station, the spacer will fall free. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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When the wire passes the last hinging station you will have removed all of the cover spacers. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The hinges also release as the cover wire is removed. They flop down, but stay secured to the wire in the second panel. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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The same removal tool is used to push the wire out of the second panel. Grasp the wire and proceed to remove it as you did with the first panel. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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This time the hinges will drop free. |
![]() SAMI KEATS
|
21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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Proceed through the whole book in the same fashion, taking out the wires one at a time. |
![]() SAMI KEATS
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21st Editions spent three days with Jerry Uelsmann looking at over 3000 finished works that span his entire fifty-year career. What emerged was a selection of ten exquisite photographs which Uelsmann painstakingly printed as original 16 x 20-inch silver gelatin prints exclusively for the massive 20 x 24-inch book. The aluminum binding by Daniel E. Kelm represents a new standard of innovative design as each individual “page” is completely removable. This allows the collector to frame any or all of the ten magnificent signed prints without compromising the integrity of the book’s unique structure. You may view all ten photographs at the 21st Editions site. The initial offering of twelve copies of the silver edition sold out within twenty-four hours. There is a platinum portfolio available from the publisher. Published by 21st Editions. Original silver gelatin prints by Jerry Uelsmann. Poems by Steven Brown. Introduction by John Wood. Afterword by Lance Speer. Binding design by Daniel E. Kelm, produced by Kelm with Leah Hughes, Kylin Lee, and David Paffhausen. Held in private collections. You may request to see Moth and Bonelight at:
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With the removal of the wire from the last panel (back cover), hinges and spacers will both drop free. |
one cottage street #5 • easthampton, ma, u.s.a. • 01027 |
book galleries
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daniel.kelm@mac.com |